Reflejos
"Whoever does not move among works of art as if among dangerous animals does not know among what he moves." - Nicolás Gómez Dávila
Marie Bracquemond: Félix Bracquemond in his atelier (1886) 
Although Marie was overshadowed by her well-known husband, Felix, the work of the reclusive Marie Bracquemond is considered to have been closer to the ideals of Impressionism. According to their son Pierre, Félix Bracquemond was often resentful of his wife, brusquely rejecting her critique of his work, and refusing to show her paintings to visitors.  In 1890, Marie Bracquemond, worn out by the continual household friction and discouraged by lack of interest in her work, abandoned her painting except for a few private works. -wiki

Marie Bracquemond: Félix Bracquemond in his atelier (1886) 

Although Marie was overshadowed by her well-known husband, Felix, the work of the reclusive Marie Bracquemond is considered to have been closer to the ideals of Impressionism. According to their son Pierre, Félix Bracquemond was often resentful of his wife, brusquely rejecting her critique of his work, and refusing to show her paintings to visitors.

In 1890, Marie Bracquemond, worn out by the continual household friction and discouraged by lack of interest in her work, abandoned her painting except for a few private works. -wiki

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